The Lens is the Brush. The Sensor is the Canvas.
Photo by Vincent Versace.
No strobes. No added artificial light. No reflectors. No diffusers. Just a camera and a lens shot “wide open” in cinematic style for Nikon Ambassador Vincent Versace, who tested the new AF-S NIKKOR 105mm f/1.4E ED in several portrait settings. Read more.
Into the Wild with David Wright and the Nikon D500
Photo by David Wright.
“As someone who splits his time between shooting stills and video, I am always looking for a camera that can do it all. It’s a tall order; you either have a great still camera that is OK at video, or a capable video camera that takes average stills,” remarks global cinematographer David Wright. In the past year, Wright’s clients have included the BBC, National Geographic, PBS and the online service Curiosity Stream. Read more.
Dusk to Dawn: Adam Woodworth Takes the Nikon D5 into Darkness
Photo by Adam Woodworth.
“Sometimes it’s more about the journey than the photo,” theorizes landscape astrophotographer Adam Woodworth. “You reach a spot then don’t get the image you want, but the experience is amazing. Other times it happens that both journey and photo leave you excited.” On a return visit to Newfoundland, this time carrying the Nikon D5, Woodworth walked away with both. https://bit.ly/2WZUqR8
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The Richness of Peru: Fashion Photography with Joe McNally
Photo by Joe McNally.
I can’t imagine any area of the earth better suited for a series of wonderfully high resolution fashion photographs than South America. The exuberance of culture and life, plus the sheer color in this region, make perfect subject matter for NIKKOR optics and the Nikon D810 camera. The Nikon D810, with 36.3 megapixels and an FX format sensor, yields files of extraordinary detail and outstanding color response. Read more.
Street Scenes, Studio and Stage with Joe McNally
Photo by Joe McNally.
New York City is one of the great performance capitals of the world, so when Natalie Wilmshurst came to Gotham this summer, Nikon Ambassador Joe McNally started filling out his own dance card. McNally’s vision was to create a dynamic set of location photos of a beautiful and accessible subject. |
How to Run a Successful Wedding Business
Photo by Bambi Cantrell.
Bambi Cantrell founded her studio in 1986. At that time, nuptials photography was a male-dominated, logic-driven business practice. Male photographers dictated what was shot and how subjects were posed within the frame. https://bit.ly/2TGMm5G
Autumn in New York: Tips and Tricks from Nikon Senior Product Manager Lindsay Silverman
Photo by Lindsay Silverman.
“I am very lucky to live in a place that has distinct changes of seasons. Once September hits, we start seeing a gradual shift from greens and blues to the rich and warm tones of fall: tawny brown, red, orange, mustard yellow. Autumn in New York is a wonderful place to observe the changing colors,” says Lindsay Silverman, senior product manager for the Nikon professional DSLR line. Read more. |
